Pleasant Diversions

UPDATED because I forgot about Rick Steves!

Time, time, time. Time is endless and instant and immeasurable now. I have many thoughts on what that means for me personally and professionally, but for now, I want to be light.

Some ways I’ve been spending my time…

With books

I told myself that, without my Powell’s discount, book buying would just to wait until I returned as an occasional (or started otherwise earning regular income). COVID obviously put paid to that, plus my natural inclination to collect is really, really hard to resist…

I’ve bought some books for work. I have to call out one in particular. Placing Papers: The American Literary Archives Market, by Amy Hildreth Chen, is extremely relevant to my work in appraisal, and it is revelatory for the trade in general. In some ways, it is ominous, but a more optimistic word would be “cautionary.” In reviewing the market in authors’ papers, from creator to dealer to repository, Dr. Chen makes clear that the Matthew effect (rich/famous creators sell papers to rich/famous institutions) is ongoing, and now it is likely to get worse thanks to COVID financial upheaval. This has major implications for the trade and libraries (and researchers), even as they look to diversify and be more inclusive, and for my work in appraisal, a field caught somewhere in between the two.

Other books of note that I adore:

A Song of Praise for Shifu, by Susan J. Byrd. A stunning book published with typically thoughtful care by Legacy Press, mine is one of the first editions with the original samples of shifu (a Japanese paper-based textile). It was also from the collection of esteemed bookbinders Monique Lallier and Don Etherington, though there is sadly no evidence to show that.

Book Collecting in Chinese Culture, by Sang Liangzhi. I’ve been putting this book off for a couple of years now, because I could never find it for an affordable price. Finally, my research into Chinese book collectors’ seals pushed me over. It was worth it! The translation is charmingly quirky, and I’m going to have to work to make its citations clearer to me, but it has been so informative already.

Inks & Paints of the Middle East, by Joumana Medlej. Meticulously researched and clearly illustrated, this book is so inspiring. The author also makes pigments and pens, which you can buy in her shop. Follow her on Twitter to watch her research play out, see her art-in-progress, and find ways to help artists and creators in Lebanon.

So what do I do with all these books? Currently, embarrassingly, I pile them everywhere. There are stacks surrounding my desk, stacks under the bed, stacks supporting the kiddo’s Lego structures. Personal books are interspersed with library books, kid books, and notebooks.

But I still have a tenuous hold on the situation. I love to catalogue books. I’ve tried a number of systems, from Book Collector to Delicious Monster to spreadsheets to handwritten lists. Delicious Monster in particular worked for a few years, but I eventually wanted something more robust and library-friendly, so I migrated to LibraryThing. It’s denser and perhaps less glossy than some of the other options on the market now, but I find it invaluable. I love connecting to libraries with books in common, the intensely bookish lists and data, and the fact that I can immediately see that 537 of my catalogued books came from Powell’s. As a once and future librarian, I adore that I can have a public library catalogue of my very own.

I even read books sometimes…

But my world is mediated more and more through digital means.

With screens

I haven’t done as much binge-watching as I probably could have, being stuck at home for so long. On the flip side, I haven’t really explored much new screen entertainment.

I’ve rewatched the entire run of Avatar: The Last Airbender (thank you, Netflix!) more than once. I’ve been crushed by the news that its creators have left the live-action project (damn you, Netflix!).

I’ve started and not finished The Mandalorian, Good Omens, and Star Trek: Picard. I really enjoyed each, and I swear I’ll get back them…

M turned me onto Sampson Boat Co.’s YouTube channel. The incredibly charming Leo Sampson Goolden is restoring a 1910 sailing yacht up on the Olympic Peninsula. I have no experience with boatbuilding, but his videos are informative, gentle, and inspiring beyond the craft. He is matter-of-factly knowledgeable, digs in and works hard, and is generous with his enthusiasm and attention. If you like seeing craft undertaken with heart, binge this. You won’t regret it, even as the COVID crisis creeps in to the recent posts.

I recall watching a lot of “The West Wing” during the W years. But either I’ve changed or the Wing hits too close to home (both true, really), and it just doesn’t work for coping right now. Star Trek can seem more remote, therefore more appealing. But even my standby Voyager and Next Generation are sometimes too blandly utopian (or dystopian, depending on your take). I started watching Deep Space Nine from the top for the first time, and it has hit the spot so well. It has the post-Roddenberry longer arcs and inter-character conflict. The storylines have parallels to our current world, and it actually includes plenty of non-Earth-historical cultural touches. It’s colorful and complex and troubling, and it walks the fine line between inspiring and grounding that I need right now.

To help compensate for cabin fever and wanderlust, our little family has been watching a LOT of “Rick Steves’ Europe.” He likes churches more than I do, but his down-to-earth approach is appealing and often leads to long discussions with M. I even checked out Steves’ Travel as a Political Act and will be reading that soon. Plus, it’s helped us add to our dream travel itinerary. Turns out that Eastern Europe and/or the Balkans flew too far under our radar before. We are really intrigued to visit someday.

When I really need to get away, though, I play games. M has been playing Assassin’s Creed: Odyssey, which is stunning. I want to get the Discovery Tour version, though. All the killing actually really gets in the way of enjoying the scenery.

My primary game of choice is Elder Scrolls Online. I’ve been playing for years now, and it is (usually) a solace. If you don’t know the Elder Scrolls series, it’s a deep open-world RPG franchise. The lore is intricate and fascinating, and the cultural development is mostly fantastic. Part of the world story includes racism, slavery, and a strong sense that there is no clear good or evil, and some of it is off-putting. (These days, I look at everything with a critical eye to diversity and appropriation. It dampens enjoyment sometimes, but it’s essential practice for progress.) ESO is also, unlike Skyrim and previous Elder Scrolls games, an MMO. That means the chat sometimes goes down unpleasant roads, but the community is generally excellent, and bigoted posts usually get reported and shouted down very, very quickly.

One cool diversion that ESO led me to recently was the inaugural ArchaeoGaming Con. There is a robust community of archaeologists who work in and around games. Since ESO recently implemented an Antiquities system that involves excavating artifacts around the game world, it was really fun to watch this conference unfold. ESO has a surprising amount of storylines and conversations that touch on cultural heritage, so it often ties into the work I do in the real world.

With Zoom

… and other online webinars. Since I’m unable to do most of the work I was planning before COVID hit, I’ve spent a lot of time attending web presentations and classes. I’ve attended most of the presentations by the Rare Book School and the Bibliographical Society of America, as well as a scattering of others from around the general cultural heritage sphere.

I particularly want to call out a few:

A Hornbook for Digital Book History, by Whitney Trettien

This talk was conceptual and enthralling. I was so inspired by her ideas and her suggested model for considering bookish objects. I’m still thinking about it.

Records of Deception: Forgeries and the Integrity of the Historical Record

I’m fascinated by forgery and other aspects of cultural heritage crime, and this wide-ranging discussion was so cool. It was an historical and bookish slant on the current fake news and disinformation deluge.

(H)EX-LIBRIS: Tracing Occult Identities, by Kim Schwenk

I knew I would enjoy this, but it was so much more expansive than I expected. Cataloguing and description are the way to intellectual access of materials in libraries and archives (and bookstores, for that matter). The serendipity of the stacks is fun but unreliable as a direct route to knowledge. One thing that can be hard to grasp is that a book can be sitting on the shelf, but if you can’t find it through the catalogue, it might as well be invisible. Occult, by its very definition, is secret. So how do we bring these works and creators to a larger audience?

Outside of RBS and BSA, Icon Book & Paper Group ran a Conservation at Home series, and this session in particular was amazing:

Divine Conservation: What can 500 tarot card decks tell us about conservation?

https://youtu.be/Ano3gqaBIxQ

This talk was presented by MIT Libraries staff and centered on their collection of contemporary indie tarot decks. It touched on acquisitions, multi-format (including jelly beans!) preservation, and access. I have never had to consider the idea of cleansing the energy from archival collections before, but now I really want the tarot deck they’re producing.

Finally, one series I have found deeply informative and inspiring is the Culture in Crisis series on Post-COVID cultural heritage strategies, put on by the British Council, DCMS, and the V&A. Unfortunately, I don’t think they plan to make the videos available publicly, which is a shame. The series has offered a broader (if primarily archaeology-oriented) perspective on cultural heritage access and protection during and beyond COVID. Cultural heritage stewards and scholars from the UK, US, and Middle East spoke about looting, destruction, education, conflict, colonialism, and more, and it was heartbreaking and heartening at the same time. I sincerely hope we are working toward change.

With writing

…because, holy shit, is it easy to get stuck in my own head right now.

I like to be alone, but I’ve discovered that there are limits (also, I am now NEVER ALONE). What I hoped would be time to relax and make plans and take remote action and think and muse occasionally turns into time to get really, really overwhelmed. I’ve always used my diary, my notebooks, and other writing as a way to work this out, but now it’s more important than ever.

My notebook of choice is a Leuchtturm1917 A5 hardcover, grey with dotted pages for daily notes, black ruled for my diary/journal. My diary writing is typically slow-going, because I have a tendency to put it off until the “perfect moment” (which is rare). My daily notebook has become an even more essential repository for scheduling, notes, thoughts, and tracking, and I just had to order two more, because I have filled 2.5 of them just since lockdown started.

I’ve also picked up some penpals! I’m not a very good snail mail correspondent yet, but I’m working on it. How can I not, when I’m sent such gorgeous mail? I signed the kid up for some informal correspondence with friends’ kids, but he doesn’t know it yet… We’ll see if it works.

And hey, I resurrected my blog a bit. I look forward to a burst of posts, hopefully not followed by my usual distracted apathy.

With looking forward

Somehow, I still consider myself an optimist, or at least a positive realist. Despite the truly incredible amount of crap going on in the world right now, I still manage excitement for things.

Like foodie things! I tried Dalgona coffee, which went… okay. Tasty if not pretty. I’m trying to shift precedence to my tea fascination, though. I’m sure I’ll have more to say on that.

And work! All these webinars and classes and books have given me a lot of ideas for professional direction. But I’m going to save that discussion.

So instead, books! A short list of the books I’m eagerly anticipating:

With learning when to break

Despite the upheaval of quitting my full-time job, onset of COVID life, and the ongoing slide into authoritarianism, I didn’t cry until… mid-April? It hit me suddenly and confusingly, and then I wept and realized that was the key. Since then, I’ve cried occasionally, and it has always made me feel better (though not always instantly).

I’ve also started taking regular walks, instead of relying on in-home exercise for everything. Even neighborhood nature has helped immensely.

I am extremely lucky (even if I have to remind myself sometimes) to have so much time with my young son. How many parents have the chance to spend long hours with their school-age kids? How many parents get to see so much of their growth? Sometimes I just watch him play or read, and it is mind-blowing.

Finally, I stop. I feel such a desperate need to let words out lately, but even that faucet needs to be turned off sometimes. Like now.

Be well, everyone.

Kudos

Irene Finley carrying William Jr. across a creek
Irene Finley carrying William Jr. across a creek, William L. Finley Photographs Collection, circa 1900-1940; Org. Lot 369; b1; Finley A72.

Almost two years ago (June 19, 2015, if I consult my diary), I was in the reading room at the Phillips Library. I recall it being relatively quiet for a summer day, with not many researchers to attend to. My cell phone buzzed in my pocket. I was in the unpleasant habit of keeping it on me, because young kids in daycare get sick a lot, and I was frequently called to pick up a toddler in the throes of the latest ailment: stomach bug, spots, pinkeye, plague.

This call was different. M was on the other end, and he had News. Six months after being laid off, his recent phone interviews with the Oregon Historical Society had been successful, and he was invited to move across the country to join their team. He (we) accepted.

William L. Finley Jr. Portrait
William L. Finley Jr. Portrait, William L. Finley Photographs Collection, circa 1900-1940; Org. Lot 369; b1; Finley A67.

It was not easy.

There was the time issue. We had six weeks to pack up our lives and find a way to move our things to the opposite coast at the height of summer. I was still working full-time, and our toddler spent four days of the week home alone with M. Free time was minimal.

There was the geography issue. M had never been west of Iowa, and all of his family lived within a few hours’ drive of our Massachusetts home. I was blasé about my personal relocation but very aware that it might not be so easy for him.

Dogsled, Claude Ewing Rusk expedition
Dogsled, Claude Ewing Rusk expedition, Kiser Photo Co. photographs, 1901-1999; bulk: 1901-1927.; Org. Lot 140; b1.f14A.

There was the lifestyle issue. In a short time, our daily routines would completely swap. In the midst of our frantic move preparations, I was mulling what it would mean to suddenly leave a job (and, to date, a career) that I loved and was progressing in and become a full-time parent. I was uneasy but trying to be optimistic. M was eager to dive into work that was fulfilling, meaningful, and aligned with his skills and interests.

It was a lot to pack into six weeks. But we managed it, and we even landed a good apartment after just four incredibly hot days of hunting. Then, in August, M got down to business. Now, the major product of his efforts is ready.

OHS digital collections screenshot

Please check out the Oregon Historical Society Digital Collections.

The Oregon Historical Society holds a wealth of visual materials across a variety of media. Digital versions of these materials have been created and obtained in waves and spurts over the years. Now, the first batch of them is online and ready to view, in an electronic home built by M.

From Rooster Rock to Oneonta Falls. Relief Train at Bridal Veil (D 113)
From Rooster Rock to Oneonta Falls. Relief Train at Bridal Veil (D 113), Carleton E. Watkins photographs, 1861-1885; Org. Lot 93; b6.

I am no Luddite, but I have spent many dinner conversations over the past eighteen months nodding politely and endeavoring to keep an intelligent look on my face. M enthusiastically and fluently discourses about ingest processes and information packages and checksums. I don’t get most of the technical intricacies (I am usually relieved when the topic turns policy-related), but I’m tickled that he does. His passion is historical visual objects, but his métier is technology. I am in awe of how seemingly easily he conceptualized and created this digital repository.

Joaquin Miller with Senator Fulton's family, Crater Lake, Oregon, 1903
Joaquin Miller with Senator Fulton’s family, Crater Lake, Oregon, 1903, Kiser Photo Co. photographs, 1901-1999; bulk: 1901-1927.; Org. Lot 140; OrHi 101868.

Few projects are entirely solo efforts, and this is no exception. OHS IT staff is heavily involved. Marketing staff weighs in frequently. Other library staff spend endless hours on the actual creation of the digital objects. [Sidebar: please do not write off the digitization effort as trivial. People outside the cultural heritage world (and many inside it, unfortunately) generally underestimate what a colossal undertaking it is. Any variation on the theme “just digitize it” is enough to send me off on a rant. Creating, describing, disseminating, and preserving high-quality digital objects is NOT EASY OR QUICK.] And finally, back to the point, colleagues at Oregon State University contributed particularly to the William L. Finley Collection (my personal favorite).

H. T. Bohlman Scaring Gulls
H. T. Bohlman Scaring Gulls, William L. Finley Photographs Collection, circa 1900-1940; Org. Lot 369; b18; FinleyA2070.

In many organizations, individuals are not always publicly singled out for their contributions. M’s name is unlikely to be in any of the promotional materials, but make no mistake: this is his creation. And this is my blog, and I am biased as all get out, so I get to use this post to promote him.

M, I will be direct for a moment.

Your triumphs have been balanced by trials. There were the usual ups-and-downs related to administration or money or time. Tech hiccups diverted you with annoying regularity. You even had to get glasses! And the kid and I and our mundane troubles have frequently intruded on your process. Oh, I grouse plenty, love, but I am so damn proud of you. I cannot wait to see what you achieve next. I’m sure the file transfer speeds will improve.

Bohlman and Peck Digging the Automobile from the Sand
Bohlman and Peck Digging the Automobile from the Sand, William L. Finley Photographs Collection, circa 1900-1940; Org. Lot 369; b20; FinleyA2296.

So, readers, if you see the Oregon Historical Society’s digital archivist around, please give him a high five or handshake. And perhaps a mocha. He is quite tired.

UPDATE (June 6, 2017):

M has been making the radio rounds discussing the project. Listen at the link (I will add more as they become available):

Jefferson Public Radio

UPDATE (April 16, 2019):

M wrote about a young mountaineer and his photos for OHS’ new blog.

Of Mountains and Metadata: The Photographs of Donald Burkhart

All images in this post (except the screenshot of the webpage) are courtesy of the Oregon Historical Society Research Library but are under no U.S. copyright. Other images in the OHS Digital Collections may have restrictions. Please inquire of OHS if you have questions.

Self-Care

A light hike

Quite a year we’re having, hm? And just over a year since my last post. The lapse was unintentional, though not surprising. This has been the most tumultuous, stressful year I can recall.

As I began writing this, Little Bear (or T, I should say, now that babyhood is behind him) was passed out in exhaustion after his fourth stomach bug of the year. M and I were catching up on housework and wondering if 7:30 p.m. was too early to go to bed ourselves. Essentially, it was a fairly normal night for recent life.

We’re hardly new to adulthood, but so many challenges have coincided during the past year or so, we have reached a whole new level of mental, emotional, and even physical struggle. I realized I was starting to see self-care as a luxury, something to do after attending to my family, our home, our work, or even useless time wasting. I reject that now. I remind myself to prioritize efforts to keep the stress, frustration, and fatigue at tolerable levels. Here: some of the biggest hurdles and most helpful activities for me.

THE TRIALS

Parenting a threenager

If you’ve not heard the term, “threenager” refers to the fact that whoever coined the phrase “terrible twos” was just trolling parents. Two is a breeze. Three is parenting on Hard Mode. It is the grueling dress rehearsal for the teen years, and it is a constant struggle to stay centered and seek joy.

On the one hand, T’s increasing articulation, creativity, and physicality are a marvel to behold. He tells stories, loves to paint with watercolors, and climbs on everything. He can be delightfully insightful, funny, and sweet.

On the other hand, he is willful, heavily into independence, and often shockingly lacking in empathy. All of these are normal toddler traits, things he needs to adjust to on his own or by learning from our example. Reacting to them is a fantastic exercise in emotional growth, mindfulness, and resilience. But it is not easy. It would be difficult even if we were perfectly healthy and well-rested.

Sleep

We are not. Because my work schedule and M’s do not align, our family time most days is reduced to the dinner hour, and T reacts by trying to sleep in our bed at least once a night. I go to bed (but rarely sleep) after midnight, and I’m up with T just 6 or 7 hours later. Mornings are generally rough for all of us. This translates into diminished immune systems and fragile emotional control. Tempers flare more easily than they used to, and dealing with all of the other trials becomes more and more difficult. But for financial and mental reasons, it is important that I hold a job, too.

Work

When M was laid off, we agreed that we had to be ready to change, to keep our options as open as possible. He accepted an offered job in Oregon, so I quit my job in Massachusetts. I wasn’t worried about my future as a whole, and I was interested in the new avenues that might open. But I confess that, deep inside, I knew that I might be permanently leaving the career I’d been building, and I am still wrestling with that.

It may seem defeatist, but it is pragmatism that has me questioning whether I will ever be a librarian (let alone a rare books specialist) again. Though Portland doesn’t have a local library school churning out graduates, it also does not have New England’s density of repositories. Weeks go by before I see any posted job to which I could reasonably commute, let alone one that also fits my skills and goals. Even then, Portland is an Attraction. People want to move here or (if native) stay here. There are already plenty of qualified librarians on staff patiently waiting to move up the ranks. Hiring from within is the norm (so is using volunteers to accomplish much of the work). Breaking in from outside can be incredibly difficult, and sometimes I fear that it is impossible.

I am still exploring my options and generally enjoying the process. Right now, I am experimenting with the other side of the book world (i.e., selling), and it is fascinating. I will be happy continuing there, though I hope I can get a less punishing schedule soon. Really, the only big problem with my career at the moment is my lingering reluctance to leave the path I was on before. That reluctance creates uncertainty, and there is too much of that going around right now.

Current events

I have to refer to the endless, repellent United States election. I know I am not the only one feeling serious stress about this year’s surreal political situation. As I sit here typing, I feel physically cowed and slightly sick to my stomach. I am terrified of what our country could become and how people could be treated. I still feel occasional disbelief that we have come to this. But current events in general have been an onslaught.

The occupation of the Malheur reservation occurred a few months after we arrived. Despite being miles away, it produced a sense of uneasiness. We were new to Oregon and had no idea how the rest of the state would react. Would the armed anger spread? The relatively peaceful resolution was a relief. The recent verdict was not.

Brexit was a blow to this UK-ophile. It made it painfully obvious that not only is the UK not a viable dream home for our family, but the swelling tide of hatred, fear-mongering, and rejection of truth is depressingly global.

In my worst moments, I look at the world and feel utter despair. Where can you go? What is left? “What can men do against such reckless hate?” In these divisive times, what is honestly the point?

But I am not good at staying low. I’ve spent more time in the dumps this past year than during my life previously. But I float back up, even if now it takes an effort sometimes. That effort is worth it.

THE TREATMENTS

Giving in to Witcher 3

Meaningful distraction This has been more difficult than I’d like to admit. I am certainly prone to mindless Internet cruising, and it is remarkably easy to slip into when you’re exhausted, just want a minute to relax, and have a smartphone at hand. You would think that the luxury of being at home would make me dive into reading, crafts, and other hobbies. The desire is certainly there, but the discipline has been sorely lacking.

My favorite reads this autumn

Lately, though, that has been changing. I find myself reaching for my calligraphy pens, baking ingredients, or even the video game controller. Thanks to the Pacific Northwest climate, I am able to garden whenever I choose. At the very least, I can sit on the balcony and enjoy a cup of coffee and the sound of rain on the roof.

Autumn is red and green

Elevating sensory experiences is the small way that I currently explore mindfulness. I stop and do yoga or tai chi in the middle of the day, just to feel my body move. I spend a few minutes methodically making tea, watching the steam curl in the air, feeling it on my skin. I bury my face in my toddler’s mop of hair, nuzzle his (somehow always slightly sticky) cheek, let him clamber over me like I’m a jungle gym. Even shopping from the bulk bins at the grocery store has become an oddly soothing experience. Something about being closer to the beautiful reality of food, the possibility of what the components could become. Through handfuls of oats and azuki beans and flour, I reach for the reality that now seems warped, the possibilities that sometimes seem so distant.

Star Trek

The idea of possibility leads me, usually, to science fiction. In past times of political turmoil, I would find solace in that liberal stalwart, The West Wing. Not now. These days, I want true escapism, idealistic escapism. I want to be far from United States (or, frankly, most real world) politics. I want to think about the possibilities that could come with progress.

There is a line in, ironically, West Wing about raising the level of public debate in the country. With this election, we are down to debating whether the very foundations of democracy remain intact. Idealism is far away. We seem to just be hoping that most of us still belong to a common humanity. It is disheartening, disappointing, and not enough. I want to remember what we used to dream about, so I turn to Star Trek.

I never watched the Original Series, so I’m mainly talking about The Next Generation. Voyager was my childhood standby, but I find myself drawn now to Jean-Luc Picard and his crew. I marvel at their approach to the issues they encountered.

They prioritized diplomacy, curiosity, multiculturalism, and knowledge. They tackled problems with reason, thoughtful discussion, and careful experimentation (even when it made for boring TV). Sure, it had some notable flops (usually related to it being a TV show about advanced civilization in an industry that is often less than enlightened). But overall, I continue to be inspired by the vision of a future driven by exploration, diplomacy, and a firm acceptance of truth.

And on the lighter side, Worf always makes me laugh, and everything sounds better said by Patrick Stewart.

Choose kind

Watching words

I could write a whole series of posts about words. Words, their tone, the intention behind them, and their omission have been at the forefront of my mind. Following current events, moving to a new place and getting to know new people, accompanying a toddler through his early language acquisition: all of these have been major challenges and opportunities to think about how I use words and why. One big reason I haven’t posted on my blog is that I have been extremely hesitant about what (and whether) to say.

I have started myriad drafts. From current events to parenting, I started writing my reactions to many things (even those pseudo-Victorians). But I always hesitated, faltered, and wrote in my diary instead. I just couldn’t bring myself to add to (or detract from) any discourse.

That didn’t stop the words from coming. I delight in language, the way words fit together, the way they feel when you speak them, how they look on a page. So I kept scribbling or typing notes, collecting the words but corralling them. I finally signed up for NaNoWriMo just to give myself another place to put them. (Never mind that it’s eight days in, and I’ve written more words in this blog post than in my novel.)

Then there’s speech. Young T is at a critical juncture. He repeats the most horrifying slips made by me or M. He latches on to the worst lines in movies or TV shows or video games. He went through a phase where he called us “silly dumb” if we said something he thought was wrong. Of all the colorful and devastating insults slung into the conversation this year, a three-year-old’s sandbox taunt should provoke giggles. But you know what? It stung.

The words were mild. But the tone was, somehow, scornful. Whether he realized it or not, it conveyed disrespect. I have to assume he picked it up at daycare. M and I are not in the habit of insulting each other or our son. We worked very quickly to quash this development. We explained as best we could that words can hurt like fists, or more, since the damage can last far beyond what a bandage can heal. It took a few days, but that contemptuous tone left his voice and “silly dumb” faded away, replaced by “thank you” after almost everything.

I am proud of my son’s polite manners and increasing grasp of basic social courtesies. But I am after more than just preparing him to get through a dinner party. I am trying to cultivate in him a deep understanding of what these “word-actions” mean and how their impact can last. It sounds silly to emphasize manners when etiquette doesn’t even come up in the ongoing violent rhetoric. But I look at it as the beginning of the social contract.

My son interacts with a diverse group of little peers (which is pleasantly surprising in Portland). He doesn’t yet know that the differences between them are given meaning in some places and with some people. Before he becomes aware of that, I want him to have a concrete habit of approaching everyone with respect and civility. I want him to treat people as human beings, full stop, and choose words based on truth and compassion, not innuendo and stereotype. The thought of him using words to isolate, or manipulate, or bring harm to others makes me feel sick. The vicious power of language has been just overwhelming this year. I have to keep him clear.

Books about books shelfie

Practicality and productivity

When all else fails, when my head and heart hurt too much for reading or calligraphy or spinning stories, I reach for housework. We pick up the toys and put books back in order. I hand T the duster and sort the laundry and focus as best I can on the absolute basics. Scrub the plate. Rinse. Dry. Next.

Little by little, a sense of assurance grows. For the most part, I cannot control my son, my job prospects, or the bizarro state of the world right now. But I can damn well make sure the laundry is washed and folded and stored neatly in the drawer. That tiny bit of certainty helps keep me afloat on the wild river that is life these days.

These are the efforts that are (mostly) working for me in this year of trials. I hope that you are coping, too. What is bothering you? What is helping you through your troubles? I am always open to new ideas!